STAGE LEFT - LEE HUGHES
Regis scratched his neck. Someone had done a number on the broad. Looked liked they’d tried combing her hair with a hammer. The tool lay caked in blood and blond beside her.
The police hadn’t been informed.
Regis’s boss had put the theatre on lock-down. The woman sprawled on the carpet was the boss’s niece. The boss had been watching the show from the boxes, he’d gone back to congratulate his niece only to find her mushed.
Regis had an eye for details. If one of the boys was found perforated in a dumpster then the boss sent Regis to handle the situation, figure out who the fuck had the brass-balls to fuck about with his business, that was where Regis came in, he’d hand them on a plate.
Regis took in every detail. He knew the theatre life.
His mother had looked like the dead woman. She’d trod the boards before winding up battered to death out the back of a gin-joint.
He walked the room.
A smile creasing his lips as memories of watching his mother ready herself for a show returned. He fingered a rabbit-foot charm in the untidy make-up box. He looked at his finger, there was rouge on it. His mother had applied rouge in the same manner. The dressing room was just as he remembered it. No shoes on the chairs, nor shoes on the tables.
Theatre folk were superstitious.
He stared at a bouquet. The flowers weren’t fresh, no tag, no wrapping. Just a bunch of flowers with a rubber-band about the stems. Its angle, as though cast aside, unwanted. He wondered if that had been the catalyst.
An infatuated lunatic? Definitely not a mob hit to wind the boss up. This had been done by someone who hadn’t an idea about her connections.
The flowers were his hint.
Pinning it on the handyman was like hanging the theft of a single shoe on the nearest one-legged man. There was no reason for the hammer to have been in the dressing-room. Superstition forbade pictures to be hung upon the wall.
He backtracked his mind to the corridor. A square of pristine wallpaper surrounded by nicotine stains. He remembered the two signs on the floor. One was crisp and new, the other just as filthy as the walls. The handyman had probably been caught short and hadn’t been able to finish putting up the new sign and left the hammer there to continue after the show.
Whomever had used the hammer on her head had picked it up on the way to see her.
If you were going to go promise undying love for a woman would you take a hammer?
It was someone she’d not tried to run away from. She’d cast aside the gift of grave flowers, for that was what they were. A bouquet stolen from a grave. Tradition, flowers from a grave to be given at the end of the run. Symbolizing that the show could be laid to rest.
Regis pulled out his wallet and removed a photograph and tore it in half.
He looked at the flowers. He’d seen them the day before. He walked to the door and came face to face with his boss.
The corridor was littered with nervous looking workers.
“Well?” His boss asked.
“Here’s your guy.”
The boss took the picture and looked at the man in it. “Who is he?”
“The man that killed your niece. One favour, though.”
“Make it quick.”
“The man’s got problems.”
The boss nodded. “I’d say he’s got a big fuckin’ problem, me.” He handed the photograph to one of his hoods who took it and went looking for the ‘live’ version.
Regis pocketed his hands and walked.
BIO: Lee Hughes's short fiction has appeared on Thrillers, Killers 'n' Chillers, Powder Burn Flash, Blink-Ink, MicroHorror, The Daily Tourniquet, FlashShot, Everyday Fiction, The New Flesh Magazine and, of course, A Twist of Noir. And in print in Cern Zoo: Nemonymous 9. Find out more at http://www.leehughes.net/.
The Kind of Person Bill Crider Is
1 hour ago